Sunday Morning Alone Time Meeting Minutes – 12/10/2017 – Linkin’ Bridge Click

Sunday Morning alone time
meeting minutes – 12/10/2017
 
Call to order at 7:39 a.m.
 
John Pawl in attendance with myself and I.
 
Financial report: Almost broke!
 
Old Business:
 
I woke this morning with way too much on my mind. My son next to me, sleeping – covered him, gave him a kiss and walked down the stairs with an old friend on my mind.
 
 
and this old business, is because, I am warning y’all – this man has a stare quite like mine. And he will figure out what ever y’all throw at him. We used to roll together. and the hood is where he is from. I know, cause i used to pick him up ever day when we was PNEUMA kids. We was the black sheep, the bad news bears and the red headed step kids all rollin’ together … and we used to sing in the van – i taught him old bluegrass gospel harmonies – the stanley brothers – bill monroe – while we was learnin’ all that shit from Sweet Honey in the Rock … and
 
That blank stare is street smarts. Aware of your surroundings, like something is bout to go down, a vision of what just might be lurking in the future – I learned my version of that blank stare while we was rollin’ …
 
To the chicken joint to pick him up after work, roll past Whitey’s in the 32 duce ward, roll past the Washburns, over to the Wright’s and then roll all the way out to Newburg, roll downtown, and then over to Arturo’s little Mexico – where the immigrants were, over by the race track.
 
We would roll over to Smoketown, to 420f and pick up John and Cleo, and whoever else was still around from Smoketown, Shepherd’s Square … roll over to Portland to pick up the twins and their sisters – I got my blank stare from knowing what was going on in their house, with their mother … who died from aids – and we would roll …
 
Rolling past places where drive by’s happened the day before, was gonna happen soon, it was 1994,95,96 – 2001 – and we joined a gang together – a gang led up by a little woman with a big heart – she was employed by Jesus and we were her Pigeons. Bird Men … 
 
Her blank stare, was from her knowing all of us kids, were one step away from jail, the crazy house, the food stamp office, detention … being exploited, abused, victims of horrendous violence, innocents being lured in by gangs, drugs, prostitution
 
some of us, possibly one step away from death.
 
I got my blank stare, from the streets! From a glock 9 held to my head at 32nd and Kentucky … from saving the little girl who was molested by her uncle. I got my street smarts from all the air brushed RIP shirts I saw from all the cousins, relatives and friends who died from gun violence, neglect, drugs and … from representin’ …
We rolled all day, in a hot as hell van! In the worst summers in this town! No air conditioning – real hot boys – sweat pouring down our backs, looking out for our kids – our friends, sisters – brothers, bling bling, pinky ring worth about 50 – the van boppin’ to B96 – You don’t know nann – Back that ass up – call me big daddy – is where I get my blank stare of worry from – listening to them little girls sing and those little boys … being exploited by a music industry … that … 
 
and this ain’t no joke! for real – this is for my dog China AKA Shon AKA Lacy Aka the Southwick kid, AKA
 
The choral director of PNEUMA.
 
Back in the day.
 
New Business …
 
Y’all know me
and my poetry
I am JP …
The human beat box
with a million watts
of power … playin’
juba in his head …
The Railroad Man
The Djembe’ player slash
community activist
griot –
family man
shoulda been a preacher.
 
My blank stare is
love and worry
born of –
a mindfulness
informed from
the streets and
verified authentic
by my brother
Alonzo Johnson!
He is a peacemaker.
 
We got our blank stare
from God and in the
same van … rollin’ the
streets of Louisville
when nobody
wanted to admit
they were on fire.
 
Meeting Adjourned
8:25 a.m

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*** BREAKING *** Appalachian Coal Report – Boom or Bust, You Decide …

Leave the Lights On For Me is a song that I wrote on the day that the CSX railroad announced that it was going to shut down the Clinchfield coal division section of the railroad. I started writing the tune on a train heading to Nashville and finished it up at the hotel.
Many of my coworkers were being relocated due to the bust situation in the Appalachian coal regions. This tune represents what I was seeing happening to my friends. It is also an honoring of the rich folk music tradition of the Clinchfield Mountains.

How Tomorrow Moves is a CSX railroad slogan and Coal Keeps The Lights On, is the slogan of the coal industry’s propaganda arm, Friends of Coal. Because our Conductor and Locomotive Engineer seniority districts cover almost the entire country southeast of the Ohio River, railroaders were being forced to move from places that they had lived for generations.

Because of short-sighted union contracts and an aggressive / abusive employer, workers were being expected to spend 30 days working for free with the threat of not being able to “hold” a position when they were finished with their territory qualifications. Folks were being expected to “qualify” for upwards of 30 days. No pay!

lyrics

Leave The Lights On For Me
07-07-2016

I left my darlin’ family in a little ol country town
chasin’ these trains across the state.
When I call my little children they ask me
“daddy when ya coming home?” and
I just don’t know what to say.

This railroad says I have to train on my own dime, for thirty days.
Well, no one should be expected to work for free.
When I ask my union brothers, they say “it is what it is”
Now that we have southern system seniority.

[chorus]

So I am, moving to the city to be employed or unemployed
Workin’ for this railroad for free.
I wonder how my kids are doin?
Wonder how my wife is holdin’ up.
And will those friends keep the lights on for me.

They say “coal keeps the lights on” but I can’t pay my utility bills.
And there ain’t no guarantee there’ll l be a spot for me to fill.
Then ill have to go somewhere’s else for 30 more days.
I guess this is “How Tomorrow Moves”

[chorus]

My family’s lived in eastern Kentucky for a really long time.
Working for the railroad, or down in some dark mine.
I’m proud to be a miner’s son,
never signed up to live a life on the run.
I wonder where those friends of coal are now.

[chorus]



*disclaimer

In a boom or bust economy – this song has been the breaking news for generations.
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Last Night at the Unity Dinner …

Last night at the Unity Dinner …

I spoke of our ancestors.
An invocation by name.

Glenda’s son.

Everybody
knew me as Glenda’s boy
back when you were the big name
in our activist circles!

I wanted out!

So I went off on my own
and found my activist
work in Nuclear Free Zone
of Louisville. I was 15 –
your name and work was
oppressive to my identity.

Everybody knew the immigrant’s
kid, born on East Jefferson St.
Mellick’s youngest baby –
even the Outlaws around
the block knew not to mess
with you.

Last night,
I “Lifted Every Voice!”
in a trade found of
harsh labor.
My voice was tired
and weary from missing
yours. a sound – 
that feels
oh so close these days
and nights of longing.

Feeling called –
I put a rose over my door
to invite soft conversation.
To conjure spirits
in kind, luring lost souls
to action – ghosts –
calling them, home.

As our organizing used to
be, coffee, child, mother –
lesson plans and your
want to see me shine.
Your birds out the window
my childhood home
your eyes and strong
words – Everything is
an Educational Moment -.
and I could do no wrong!

and We honor our elders!
at all cost. and in that
respect, they are placed
in a position of
understanding. A giveaway –
as known by native
voices – sometimes
i feel, like a motherless
child – but last night
at the Unity Dinner
i felt as if I
was being called
home.

Johnny Paul

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